Baekje and Goryeo, Incense Burners from a Thousand Years Ago
Reborn through a single flame.




Museum The piece you saw there

Now In your space.

Designed with the function of an incense burner in mind.
The pinnacle of metal craftsmanship that Koreans are most proud ofPinnacle
Baekje Gilt-bronze Incense Burner (National Treasure No. 287)

Symbol of Goryeo's artistic beautySymbol
Celadon Lion-shaped Lidded Incense Burner (National Treasure No. 60)
Cultural heritage preserved by the nation through chaos and warCultural heritage
The beloved Gaya art's Pensive Bodhisattva
Bronze art that increases in value over timeBronze art

Now,the second piece, I am going to continue.

1933. December 12th. Neungsan-ri, Buyeo.
An astonishing discovery was made at the temple site next to the tombs of Baekje kings.
The secret of the gilt-bronze incense burner, which maintained its perfect form for 1,400 years,
was that it was preserved in a vacuum state inside the mud, minimizing corrosion.
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Even in the moment it was buried in the earth, its form remained undamaged,
the mostcomplete memory left by Baekje.
Gaya art conveys the spirit of that era, which has crossed a thousand years, to this day.


The phoenix, standing powerfully while holding a wish-fulfilling jewel,Phoenix

Five musicians

Sixteen human figures, thirty-nine animals.

On the fully bloomed lotus leaf surface,Twenty-six animals.

And one that lifts its head as if soaring into the sky,A dragon.

This is the Gilt-bronze Incense Burner.



Lion-decorated lidded incense burner.

The incense burner that was displayed at the Gaeseong Museum.
In 1949, right after the Battle of Songaksan and just before the outbreak of the Korean War,
The director of the Gaeseong Museum secretly moved important cultural assets to Seoul.
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Right after the Korean War began, they boarded a train evacuating to Busan.
It was preserved from the war at the temporary government office in Gwangbok-dong, Busan.
What judgment and relocation protected,The beauty of Goryeo.

On top of the lid,A lion.(Sanye)

Three legs supporting the bodyMonster

Completed with an asymmetrical designAesthetic form

It is said that Sanye resembles a lion
It is naturally fond of fire
And is often engraved on incense burners..

Reinterpreted from celadon to bronze
This is a lion-decorated lidded incense burner.







(Designed for use with both incense cones and sticks. Stick hole diameter: 2.3mm.)

- The incense holder part may discolor due to direct heat exposure. This does not affect use.
- Combustion may vary depending on the environment and type of incense.
(Good ventilation helps with burning.)
- This piece is a bronze art object inspired by traditional cultural heritage. It is designed as an interior object that becomes a work of art simply by being placed in a space.
Although it is based on the form of an incense burner and can be used for incense, this product is structured as an art piece, unlike regular incense burners that are primarily designed for burning performance.
If only incense burning efficiency was considered, more ventilation could have been added, but this would have compromised the unique form and completeness of the cultural artifact, so the design prioritized aesthetics.
Therefore, the burning condition may vary depending on the incense type, usage environment, and airflow.
Gayami Art Casting prioritized the aesthetic form and completeness of the cultural artifact over incense burner functionality, placing greater value on its significance as an art object.


This is not a simple model whose value fades over time.
It is made 100% by hand, not as an industrial product.
Through actual bronze casting and a precise reproduction process,
It captures the traditional techniques and deep textures as they are.

Gaya Art isnot just a simple factory but
abrand.

Package Information

Custompaulownia wood box will be delivered safely.
With a luxurious package, it is perfect for gifting to someone special.
It's great for gifts.
(Contents: Paulownia wood case, main product, Korean/English artifact manual, incense holder, wooden stand)

Then.
What was the journey like for these two charming incense burners to reach me?
#ProductionProcess








By controlling the reaction through heat treatment, the desired color is achieved.

An incense burner born through countless manual processes.

Even without burning incense,
A sophisticated object with a strong presence.


Feel the breath of history in each size.
ย (Size guide)
Gilt-bronze Incense Burner (Height and Weight)
Small | Medium | Large |
|---|---|---|
190mm | 340mm | 620mm |
Approx. 600g | Approx. 2.2kg | Approx. 10kg |

Lion Ornament Lid Incense Burner (Height and Weight)
Small | Large |
|---|---|
105mm | 210mm |
Approximately 400g | Approximately 2.6kg |
Depending on the casting process and characteristics, size and weight may have slightvariations may occur.
A cultural asset that is beautiful just to look at.

Even more luxurious with differentiated materials.

Can be touched directly,

making it even more special.

The Baekje Gilt-bronze Incense Burner and

Reward Information
Maker Introduction
Hello.Gaya Art Casting is here.
Gaya Art Casting is a metal craft company specializing in bronze artworks using the lost wax casting technique. Based on traditional metal casting technology, we research and develop various works so that the beauty of our cultural heritage can be experienced in modern living spaces.
In particular, we aim to reinterpret cultural assets not just for appreciation but as crafts that can be owned and used directly, thereby delivering the value of traditional culture in a more familiar way.
In this Wadiz project,Baekje Gilt-bronze Incense Burner and Lion Ornamented Lidded Incense Burner We are pleased to present works inspired by these motifs. These pieces combine long-standing metal craft techniques with modern production technology to achieve a high level of perfection.
We kindly ask for your interest and support.
Thank you.

Reason for launching the project on Wadiz
Gayami Art Casting chose Wadiz not just to sell products, but to share the value of traditional culture and craftworks with those who appreciate them.
Through the feedback of our supporters, we aim to further improve our works and have prepared this project as the first step toward continuously creating pieces inspired by various cultural heritages.
Your interest and support are a great driving force for the continuation of traditional metal craftworks.
We sincerely ask for your interest.
Thank you.





Gaya Art












